Agnyaathavaasi (2018) Telugu Full Movie Download
The film lacks soul, and it’s only the title card that makes one believe that this one’s been directed and penned by Trivikram.
Cast & Crew
Director: Trivikram Srinivas
Actor: Pawan Kalyan, Anu Emmanuel, Boman Irani, Aadhi, Khushboo, Murali Sharma, Rao Ramesh
Release Date: 10 Jan, 2018
Agnyaathavaasi (2018) Telugu Review:
Days before the discharge of Agnyaathavaasi, there was speculation if it’s been ‘inspired by’ the French film Largo Winch. I haven’t seen the French film. however it might answer to mention that for this story, of a son living in exile and stepping in at the proper moment to avoid wasting a business empire from sharks and within the method seeking his revenge, one doesn’t must address world cinema for inspiration. A dialogue within the initial parts loosely interprets to ‘when we tend to don’t have a brand new plan, we will repeat associate degree recent one’; that’s writer-director Trivikram creating his intention clear. honest enough. a number of his alternative recent films, too, didn’t break new ground. however those films a minimum of had coherent narratives, some well-etched characters and sharp dialogues. Writing is Trivikram Srinivas’s strength, and his legions of fans don’t decision him ‘guruvu garu’ for nothing.
But his latest outing, Agnyaathavaasi, doesn’t get its act along. There are sensible actors enjoying characters that have the potential to be an element of a fascinating family drama at intervals the frame of a clap-trap masala film. However, in this, one is left holding on to a stray dialogue/scene that gives a glimpse of Trivikram’s nerve, solely to fleetly slip to a limp narrative. The film is superbly shot (cinematography by Manikandan) and Anirudh Ravichander comes up with refreshing music that provides an aesthetic shine to the present urban masala film. however these aren’t enough to salvage the film. The story begins with the death of business mogul Govinda Bharghav or Vinda (Boman Asiatic in a very transient role with measured performance) and his son, and therefore the headache is on his adult female Indrani Bharghav (Khushboo) to bring the culprits to book; she reaches bent on the aristocrat in exile (Pawan Kalyan), World Health Organization grows up unaffected by his father’s wealth below the care of his uncle (Tanikella Bharani).
The journey of this unseen aristocrat into his father’s empire with a false identity (Balasubramaniam, purloined from Vennela Kishore), is told through some laugh aloud moments, 2 fatuously written feminine characters (you will have a contest on that heroine has the sillier part) and stylishly shot action sequences that truly don’t create abundant sense. A masala film is fun once it’s well narrated, ne’er mind if it plays to the gallery to please a star’s fan base, however in Agnyaathavaasi, the scenes seem haphazardly arrange along than developing into associate degree organic narrative. Murali Sharma (as Sharma) and Rao Ramesh (as Varma) boost the humour within the workplace sequences. Rao Ramesh gets the simplest lines and could be a treat. The analogy he uses regarding folks on a flight and their thought method whereas speech his female offspring Sukumari (Keerthy Suresh) could be a riot. The threat of disfunction and his relevance films showcasing this condition is additionally fun.
Certain aspects of the story shine — just like the bond between the spectacular Khushboo and Pawan Kalyan (whose identity as Abhishikth Bharghav is unconcealed later), Boman Irani’s preference for set up B, back stories that connect the dots within the mystery story, the screaming story arc for Vennela Kishore’s character, or the reason of Nakula dharmam and ‘agnyaathavaasi’ from sacred writing. the remainder of it’s a disappointment because the film drags its feet, moving from one stunning location to a different, in search of its purpose. That’s a pity, considering what Trivikram Srinivas may have finished sensible actors and technicians at his disposal. Pawan Kalyan has that clear swagger and tries to drag it off as a one-woman show, in vain. Aadhi Pinisetty, World Health Organization has delivered robust performances before, is wasted.
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